When the French-born, Harlem-based artist Elizabeth Colomba starts an oil painting, she does so like the masters.
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The show reveals the untold stories of stewards and students, the shadowed innovation, and the profound impact a small school in Rockport, Maine has had on photography.
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When visiting the museum in preparation for Elizabeth Colomba’s Mythologies, something unusual caught the artist’s eye: the McLellan House wallpaper.
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Exploring Rockland, Maine and the tremendous impact it left on photography for half a century.
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Get to know a few of the Maine Media Workshops + College photographers in connection to the exhibition, Drawn to the Light: 50 Years of Photography at Maine Media Workshops + College.
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A Portland Museum of Art exhibit takes a snapshot of a half-century of boundary-blurring photo workshops in Rockport.
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The Portland Museum of Art has expanded a program that showcases its collection to people enjoying the outdoors.
Read MoreTaken together, “Drawn to the Light” and “People Watching” provide an insightful selection of fine art photographs and make the point that Maine holds a significant place in contemporary photography.
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July 24-28 join Openbox to help inform the PMA’s expansion.
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We’ve placed more than two dozen reproductions of art from the PMA collection at five locations across the state.
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The PMA has placed more than two dozen replicas of its collection outdoors. Most of the original pieces can be seen inside the walls of the museum, and this project is a way for Mainers and tourists to enjoy some of the art the museum has to offer as they walk, run, jog, and enjoy the great outdoors.
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SKP means everyone 21 and under visits for free. Get more out of your museum experience with invitations to fun events, select free film screenings, and more with the Susie Konkel Pass.
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The time is now to incentivize mass timber as a go-to building material to maximize long-lasting and positive outcomes for our economies and environment. We are excited to partner with LEVER Architecture and lead by example through our new, landmark building.
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The Judy Glickman Lecture provides in-depth insight into the people, perspectives, and culture of photography.
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By bringing out the big guns, the show seeks to attract a wide audience, of course, but also show the outsized, cross-pollinating impact the little Maine school has had on the photographic world over the years.
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This artwork is my way of expressing my childhood fear that still scares me till this day.
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I created a series of sculptures that follow my experience of understanding and accepting my gender identity.
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This piece as a whole can be read in multiple ways whether it be read left to right as giving memories away, or vice versa, taking in memories.
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