In the Bedroom (2001)
Hard Tellin’… is less an attempt to define Maine, or Maine in the movies, than an opportunity to celebrate four great films that accomplish something most art should aspire to: they capture the ineffable in a place and its people at a particular moment in time. They get at something unique and a bit hard to define about us. They feel, for lack of a better word, honest.
In the early 20th century, a group of artists called the Surrealists made visual art, literature, and theater inspired by humor, dreams, and randomness. Surrealist imagery combines and alters everyday objects in such a way that they become fantastic or unfamiliar. Surrealist artists played games alone and together to generate ideas for their artworks. Join us in letting your mind wander and embracing play to access your creativity!
Read MoreSkitpeq (“on the surface of water”) by Wolastoqew visual artist, Emma Hassencahl-Perley) is a love letter to the water, salmon, people, and all living things sustained by the Wolastoq and Tobique rivers that surround Hassencahl-Perley’s homeland.
Read MoreThere is no way to encompass all the stories of what is now known as Maine. Stories of Maine: An Incomplete History represents one effort to gather stories that have shaped this state through the eyes of its peoples. Have a Maine experience, object, or anecdote to share? We want to know. Visit the digital iteration of our Workshop installation and record it at portlandmuseum.org/recorder
This summer kicks off a multiphase project to reinterpret the Winslow Homer Studio and its tours, reenergizing the program for new visitors and giving longtime members a great reason to come back.
Read MoreWe transformed one of our most iconic landscape paintings, Winslow Homer’s Weatherbeaten, into a coloring book page, and asked visitors to test out the implications of color for themselves. Adults and children alike created almost 2,000 versions of this painting.
Read MoreVisitors to The Workshop took an everyday occurrence—a coffee spill—and transformed it into a cat, a map, an abstract drawing, an interstellar scene, or whatever else their imagination inspired.
Read MoreInspired by Christopher Patch’s Migration—on view in the Modern Menagerie installation—visitors created a flock of flying bird sculptures.
Read MoreOver the course of two months, visitors illustrated hundreds of pages from Herman Melville’s Moby-Dick, almost completing the entire epic.
Read MoreHundreds of visitors selected a small detail from one of the painting which intrigued them and copied it onto a paper tile.
Read MoreVisitors spun a wheel for a challenge to create sculpture inspired by a select idea using hand-crafted, magnetic wooden blocks.
Read MoreFrom August 18 to December 3, 2017, The Workshop's Storytelling Objects crowdsourced writing and drawings in response to four everyday objects: an apple, a toy car, a seashell, and a mirror.
Read MoreFrom December 8, 2017 to March 11, 2018, This is Maine connected visitors to the 2018 Portland Museum of Art Biennial as well as artwork throughout the galleries.
Read MoreArchitecture invited visitors to take on an architectural design challenge: making their own museum.
Read MoreObjects in Space showed that Isamu Noguchi, like many artists, believed that sculpture had the ability to transform spaces.
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