In the Bedroom (2001)
Hard Tellin’… is less an attempt to define Maine, or Maine in the movies, than an opportunity to celebrate four great films that accomplish something most art should aspire to: they capture the ineffable in a place and its people at a particular moment in time. They get at something unique and a bit hard to define about us. They feel, for lack of a better word, honest.
Braiding the Land is an installation combining photography, sculpture, and text to recreate a narrative from a land-based performance. The original performance, titled Becomes Body of Water, took place on Wabanaki Territory at the Gilsland Farm Audubon Center in June of 2022.
Read MoreAnd, while there is something to be said for routine, I am personally looking forward to the expansion into the neighboring property at 142 Free St.
Read MoreArt gives us the chance to see the world through the eyes of someone else, providing a glimpse into their lives, history and experiences, which can be profoundly different than our own.
Read More"Artist takes ancient tradition of basket weaving in new directions"—PBS News
Read More"Reflective storefront windows, theater marquees and subway cars populate the artwork of American artist Richard Estes. Throughout his career, the Illinois native has been drawn to the iconography of large cities, depicting urban settings in photorealist paintings."—Mountain Lake PBS
Read More"Timber and fine art may seem like an odd combination, but the Portland Museum of Art is promoting itself as the perfect host for a conference this fall on an innovative type of forest product."—MaineBiz
Read More"Beyond rich allusions to the past, Jeremy Frey and his generation of basket-makers are also creating objects that will leave your eyes spinning."—The Art Fuse
Read More"Museum supporters mingled in the sculpture garden, enjoying refreshments and each other."—The Portland Press Herald
Read More"The 20th-century caricature artist, whose work appeared in The New Yorker and Vanity Fair, spent the end of her life in southern Maine."—The Portland Press Herald
Image credit: Peggy Bacon (United States, 1895 - 1987), Peggy Bacon from Off with their Heads!, 1934, clothbound hardcover book with 39 offset lithograph illustrations on paper, 12 1/2 x 9 1/2 x 1/2 inches. Museum purchase with support from the Barbara Cash Collection, 2023.31. Image courtesy Petegorsky/Gipe Photo
Read MoreThe Friends of the Collection creates an opportunity for you to directly support the addition of specific artworks to the PMA’s collection, and this year’s acquisition focus is The Sights and Sounds of Night by Vincent Smith.
Read MoreThe Portland Museum of Art is thrilled to announce the opening of As We Are, an exhibition showcasing the work of 14 emerging artists with deep connections to Maine.
Read MoreThe Portland Museum of Art and the International Union of Security, Police, and Fire Professionals of America (SPFPA) are proud to jointly announce the ratification of a contract for all security positions within the museum.
Read MoreThe Portland Museum of Art is thrilled to announce the Maine Mass Timber Conference, taking place from November 13 to 15, 2024, in Portland, Maine. This groundbreaking event will bring together industry leaders, artists, innovators, and visionaries to explore the future of construction through mass timber technology.
Read More"Having already received many of the highest honors reserved for Native American artists including Best of Show at both the Heard Fair and Santa Fe Indian Market, Frey was adamant that the exhibition position his work as contemporary art. “I didn’t want to do a basket show,” he stated at the show’s opening. As he told Atlas Obscura, “I’ve spent my whole career trying to redefine what ash can be.” [1] Woven, therefore, represents basket weaving in an expanded sense. Rather than a retrospective display of finished works, it frames Frey’s longstanding weaving practice as a jumping-off point for explorations of new techniques and media."
Read MoreNow, the deCordova Sculpture Park and Museum has awarded Frey, an enrolled member of the Passamaquoddy tribe, the 25th annual Rappaport Prize, a $50,000 cash award to honor a contemporary artist working in New England.
“It’s overwhelming,” said Frey, 45, reached by phone in rural Maine. “I still haven’t processed it fully.”
Read MoreTaking up an ancient practice, Jeremy Frey carries it into the here and now.
Read MoreAccompanying the exhibition Jeremy Frey: Woven, in this iteration of The Workshop visitors can delve deeper into Frey’s creative process.
Read More“The museum's Blueprint expansion was borne of community involvement, a love of art and a commitment to making it available to as many as possible.”
Read MoreWe’re halfway through the summer, yet there’s still so much in store. From Cig Harvey sharing how Maine influences her work to the Summer Party to a special Jeremy Frey themed Family Day, August at the museum is like an Aperol spritz for your soul.
Read More“His legacy is a new energy — a boldly contemporary take on an ancient woodland craft. ‘I’ve worked for more than 20 years reinventing this traditional art form,’ Frey says.”
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