In response to the collages featured in the David Driskell: Icons of Nature and History exhibition, artist Rachel Gloria Adams designed an all-ages art-making activity for home or anywhere you like to create.
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Thick froth at a wave’s lip dissembles into airborne droplets, each one bizarrely crisp; heavy, cascading walls of water appear as though carved with ridges, flash-frozen in place. They’re so real as to be unreal, which, I think is the point.
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We can’t help but wonder what happened the second after Ross snapped these images. Was he engulfed by the waves? Knocked down and pulled into the violent surf?. . . All this points to the extraordinarily visceral quality of these wave images.
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Save 20% on PMA Store and PMA Café purchases, plus take advantage of a special gift membership promotion, during Member Appreciation Weekends, happening November 26-28 and December 3-5, 2021!
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“After years of planning, fundraising, and fabricating, we are thrilled to upgrade the [front] doors to be accessible and user friendly for our visitors.” —Mike Brown, Director of Campus Sustainability
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“The best thing we can do is empower young people so they can make change. Art brings people together, and artists are really good about envisioning the future but also really good at seeing the moment in a way that we don’t see for a few years.” —Mark Bessire, Judy and Leonard Lauder Director
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This three-part discussion series for K-12 educators will explore the images and diverse social issues documented by Walker Evans and how they relate to contemporary challenges. Educators will be paired with representatives from community organizations to form new connections and conversations around several topics ranging from social change, immigration, and trauma and resilience.
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The museum is hosting three exhibitions that directly reflect their subjects: Clifford Ross: Sightlines, Walker Evans American Photographs and Richard Estes: Urban Landscapes,… But the brilliance of all this work is that it allows the viewer room for interpretation. There is no mistaking what these images are. What they mean is the mystery and reward of experiencing art in person.
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Through the lens of the extraordinary work of Clifford Ross, the Portland Museum of Art and Gulf of Maine Research Institute will co-host an immersive, thought-provoking slate of public events throughout the Fall. We hope you'll dive below the surface with us!
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The first-ever major exhibition of David Driskell’s remarkable painting career explores seven decades of his artistic practice. Driskell's subjects, including the natural world and imagery of the African diaspora, result in a rich and vibrant story of art that is intrinsically tied to Maine and uniquely American.
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A reprise of the 1938 exhibition at the Museum of Modern Art that helped elevate Evans from documentarian to artist, “American Photographs” comes with a pedigree; but even without it, the show would be an uncommon draw. It could just as easily have been called “People Love Walker Evans, So Here Are Some Walker Evans Pictures,” and it would be just as true.
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David Driskell: Icons of Nature and History offers a major overview of David Driskell’s wide-ranging painting practice—and now you can take a deeper dive into his groundbreaking work as a mentor and curator with the extraordinary documentary Black Art: In the Absence of Light. Presented by PMA Films and Indigo Arts Alliance, experience this free screening at USM’s Hannaford Hall in Portland on September 8 and join us the following evening on September 9 for a free virtual conversation with the film’s director Sam Pollard.
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With the breadth of reference that enters smoothly and easily into his work, Driskell proves himself to be a one-of-a-kind artist — a scholar painter full of love and verve. Surely that is deserving of a museum’s attention. We ought to own up to the fact that it is long overdue.' This exhibition goes a long way toward making up for lost time.
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Discover more about our recent acquisition to the PMA collection, "This Could All Be Yours," 2020 by Derrick Adams.
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[David Driskell’s] art is quite challenging to categorize due to its diversity, but what remains constant in his work is the artist’s commitment to a symbolic form that elevates the spirit and the mind above that existing in the physical world.
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Learn more about our recent acquisition to the PMA collection, "Study Near Warwick, New York," 1873 by David Johnson.
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This 1863 picture by Winslow Homer, thought to be his earliest completed effort in oil paints, marks a turning point in modern warfare. For all its plain-spoken simplicity, it is one of the most morally anguished, ominously charged paintings I know.
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We love hearing from our colleagues about their favorite artworks in the PMA Collection. Here, Greg Norstrom shares why he loves Patrick Jacobs' "Fly Agaric Mushroom Cluster with Branch and Lichen."
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That is perhaps one of the most striking things about the narrative of this show: it’s organized in a way that visitors can see how the pivotal moments in Driskell’s career were taking place at the same time as he was also having a significant impact on the next generation of artists.
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The events of 2020 profoundly impacted artists in different ways. From personal hardships due to the Covid-19 pandemic, concerns around the election and political instability, and solidarity with coalescing movement against systemic racism, featured works in Untitled, 2020 record how artists working in Maine were coping with, and responding to, this pivotal moment in our history.
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