The Portland Press Herald: Exhibit explores how a vision blossomed into Haystack center of craft

This exhibition is a blockbuster because it sets the Haystack story in the context of both mid-century American art and mid-century American life, and how the two intersected around a not-quite Utopian lifestyle vision that encouraged invention, creativity and a free exchange of ideas.

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The ARTery: Beyond Boston, 6 Summer Exhibits Around New England

This exhibits is one of the first major museum shows focusing solely on this school, recharacterizing the narrative of midcentury art and craft in America.

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Graeme Kennedy
Forbes: A Celebration Of Haystack, Coastal Maine's Visionary Crafts School

It’s an exhibit that will be worthy of a road trip to Portland, the hipster capital of Maine, famed for its food scene, vitality and its artistic sensibility.

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Juxtapoz: In The Vanguard: Haystack Mountain School of Crafts, 1950-1969

With seminal works of art by leaders of the midcentury studio craft movement, the exhibition asserts Haystacks central role in national debates about the boundaries between art, craft, and design.

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Beautiful Blackbird Comes to life with the Theater Ensemble of Color

The Theater Ensemble of Color’s Artistic Director René Goddess Johnson and Nick Schroeder, Affiliate Producer, share insights into their organization and how they planned for the production of Ashley Bryan’s Beautiful Blackbird.

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Graeme Kennedyashley bryan
The Man From Here: An Afternoon with Ashley Bryan

“To me, it’s community. It has nothing to do with what you call it. As long as you have what you call community, that’s always what I’m after, how you create community wherever you go. I think that’s the most important thing—that you feel that you have that outreach to others and that in some way, each one affects the lives of the others, and in very direct ways when needed. That’s the way it was on these islands.”

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Homer Remington "The Fall of the Cowboy" Underpainting
Beatrix Chan