Amplifying Your Auditorium Experience
There’s a whole new immersive experience happening at the PMA...
If you’re one of the hundreds who watched the Joan Baez documentary, I Am Noise, recently, you were among the first to witness the first digital cinema offerings in PMA’s storied history.
This past summer, with assistance from a friend of the museum, we made major upgrades to the Bernard Osher Foundation Auditorium, with a goal to improve visitor experience during films, lectures, ceremonies, and the multitudes of events that take place in the PMA’s auditorium. We are thrilled to say that we are now able to offer a better, more engaging experience for all at PMA Films and beyond.
The most notable change is the addition of a new projector for the museum to exhibit modern Digital Cinema Compliant feature films and lecture images in high resolution and full color. This work allowed for the integration of a Dolby Sound Processor, the restoration of the theater’s center channel, and the infrastructure to provide calibrated multichannel sound performance (Dolby 5.1).
Our auditorium is not only better than ever with updated stage and podium microphones, but now supports wireless hearing-assistance devices. Over the next few weeks, we will make further improvements to audio and will add high-definition television cameras to record presentations and enable live-streaming.
Check out what’s coming up and enjoy the improvements yourself!
102 minutes. Rated G. Directed by Hayao Miyazaki. In English (dubbed). DCP.
One of the most beloved films by the legendary Hayao Miyazaki, Kiki’s Delivery Service follows a young witch in training as she strives to become a successful entrepreneur.
118 minutes. Not Rated. Directed by Payal Kapadia. In Malayalam, Hindi, and Marathi with English subtitles. DCP.
The light, the lives, and the textures of contemporary, working-class Mumbai are explored and celebrated by writer/director Payal Kapadia, who won the Grand Prize at this year’s Cannes Film Festival for her revelatory fiction feature debut. Nominated for Best Director and Best Motion Picture (Non-English Language) at the Golden Globes.
102 minutes. Rated G. Directed by Hayao Miyazaki. In English (dubbed). DCP.
One of the most beloved films by the legendary Hayao Miyazaki, Kiki’s Delivery Service follows a young witch in training as she strives to become a successful entrepreneur.
118 minutes. Not Rated. Directed by Payal Kapadia. In Malayalam, Hindi, and Marathi with English subtitles. DCP.
The light, the lives, and the textures of contemporary, working-class Mumbai are explored and celebrated by writer/director Payal Kapadia, who won the Grand Prize at this year’s Cannes Film Festival for her revelatory fiction feature debut. Nominated for Best Director and Best Motion Picture (Non-English Language) at the Golden Globes.
107 minutes. Not Rated. Directed by Werner Herzog. In German, English, and Romanian with English subtitles. DCP.
Werner Herzog’s unforgettably dreamy adaptation of the classic vampire story – a major inspiration for Robert Eggers’s new feature, Nosferatu – offers some post-holiday chills.
118 minutes. Not Rated. Directed by Payal Kapadia. In Malayalam, Hindi, and Marathi with English subtitles. DCP.
The light, the lives, and the textures of contemporary, working-class Mumbai are explored and celebrated by writer/director Payal Kapadia, who won the Grand Prize at this year’s Cannes Film Festival for her revelatory fiction feature debut. Nominated for Best Director and Best Motion Picture (Non-English Language) at the Golden Globes.
118 minutes. Not Rated. Directed by Payal Kapadia. In Malayalam, Hindi, and Marathi with English subtitles. DCP.
The light, the lives, and the textures of contemporary, working-class Mumbai are explored and celebrated by writer/director Payal Kapadia, who won the Grand Prize at this year’s Cannes Film Festival for her revelatory fiction feature debut. Nominated for Best Director and Best Motion Picture (Non-English Language) at the Golden Globes.
107 minutes. Not Rated. Directed by Werner Herzog. In German, English, and Romanian with English subtitles. DCP.
Werner Herzog’s unforgettably dreamy adaptation of the classic vampire story – a major inspiration for Robert Eggers’s new feature, Nosferatu – offers some post-holiday chills.
94 minutes. Not Rated. Directed by Paul Schrader. In English. DCP.
More than 40 years after American Gigolo, Paul Schrader reunites with Richard Gere for this moving and deeply personal take on this story of an artist reflecting on a lifetime of storytelling.
94 minutes. Not Rated. Directed by Paul Schrader. In English. DCP.
More than 40 years after American Gigolo, Paul Schrader reunites with Richard Gere for this moving and deeply personal take on this story of an artist reflecting on a lifetime of storytelling.
94 minutes. Not Rated. Directed by Paul Schrader. In English. DCP.
More than 40 years after American Gigolo, Paul Schrader reunites with Richard Gere for this moving and deeply personal take on this story of an artist reflecting on a lifetime of storytelling.
94 minutes. Not Rated. Directed by Paul Schrader. In English. DCP.
More than 40 years after American Gigolo, Paul Schrader reunites with Richard Gere for this moving and deeply personal take on this story of an artist reflecting on a lifetime of storytelling.
94 minutes. Not Rated. Directed by Paul Schrader. In English. DCP.
More than 40 years after American Gigolo, Paul Schrader reunites with Richard Gere for this moving and deeply personal take on this story of an artist reflecting on a lifetime of storytelling.
94 minutes. Not Rated. Directed by Paul Schrader. In English. DCP.
More than 40 years after American Gigolo, Paul Schrader reunites with Richard Gere for this moving and deeply personal take on this story of an artist reflecting on a lifetime of storytelling.
100 minutes. Not Rated. Directed by Gary Hustwit. In English. DCP.
The groundbreaking generative documentary about visionary musician and artist Brian Eno, a film that’s different every time it’s shown.
98 minutes (followed by panel discussion). Not Rated. Directed by Mary Louise Schumacher. In English. DCP.
The first documentary film about art critics in the United States, Out of the Picture follows a handful of writers from across the U.S. through a critical time of cultural reckoning and historic transformation to both art and media. Followed by a panel discussion with filmmaker Mary Louise Schumacher and critics Hrag Vartanian (Hyperallergic), Megan Gray (Portland Press Herald), and Jorge Arango (Portland Press Herald).